— Justin Wolfers, an economics professor at the Gerald R. Ford School of Public Policy at the University of Michigan.
“You know with this album, we ain’t drop no single for radio. We ain’t got no big NBA campaign or nothing like that. Shit, we ain’t even got no cover. We just made some real music. Back when I used to make albums and shit a couple years ago, three years ago, four years ago, we’d go away and work for the albums five months or something, we’d always have to hold the album to August or September, perfect moment and shit because it means I think you’re going to sell more because I think you’re going to get more audience and radio and shit. Honestly at this point when I listen to radio, that ain’t where I wanna be no more. Honestly at this point, I could give a fuck about selling a million records. As long as I put out an album for the summer that you can all rock to all muther fucking summer. Because at this point I don’t really give a fuck about outside opinions.”
— Brian Eno, A Year With Swollen Appendices (via volumexii)
By ELISABETH ROSENTHAL | Published: June 1, 2013
“Tumblr prides itself on being a home for brands, established and emerging, we at Yahoo are all about brands,” Mayer said on the call.
not to be too too too cynical but I know all the people I follow on Tumblr and all the people who follow me are united in one thing and one thing only: their ravenous enthusiasm for brands. “I came for the sense of a new community, one with a keen feel for the visual but with a passion for language, too,” they say, “but it’s the brands that keep me here. Sweet Christ I love brands. Let the mountains collapse into dust and the oceans all boil, but give me brands,” they cry in the night. I personally remember, as a child, pleading with my parents to let me interface with my favorite brands. And interface we did. With the brands. The glorious, glorious brands
— Susan Orlean.
Actually, Hamilton Nolan.
“Confidently unaware…”D.C. Muecke identifies three basic features of irony. First, irony depends on a double-layered or two-story phenomenon for its success. “At the lower level is the situation either as it appears to the victim of irony (where there is a victim) or as it is deceptively presented by the ironist.” The upper level is the situation as it appears to the reader or the ironist. Second, the ironist exploits a contradiction, incongruity, or incompatibility between the two levels. Third, irony plays upon the innocence of a character or victim. “Either a victim is confidently unaware of the very possibility of there being an upper level or point of view that invalidates his own, or an ironist pretends not to be aware of it.” (Source.)
The best part is people are actually saying this.
h/t Scripting News.